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Fantastic Four (2005) Fantastic Four: Rise Of The Silver Surfer |
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FANTASTIC FOUR (2005)It's crap!
Crap crap crap crap crap. Crap crap crap crap crap crap crappity crappity crapping crap. Crappy crapulent crapful craptitious crapoidal crapistic craponical craptacularly crapacious craply crappiness. In other words, it's shit. But as shit goes, it doesn't taste all that bad... in fact, it almost tastes like... cheese!
The last remaining A-list comic franchise (unless you count The Flash) finally gets the blockbuster treatment. And the treatment it got can be summed up entirely in one sentence: "Let's give the comics fans EXACTLY what they expect." Except, the fans were probably expecting much classier effects, rather than a grade of CGI and creature makeup suitable for a mid-season episode of Enterprise, and better acting, rather than a level of thespianity that's about enough for playing an interchangeable guest crook on CSI: Pine Bluff, Arkansas. Anyway, they just go down the checklist, ticking off every item that's supposed to be in the Fantastic Four story.
Except for Michael Chiklis as Ben "The Thing" Grimm, the cast is pretty hopeless. Ioan Gruffudd as Reed Richards? Fuckin' lame. Julian McMahon as Victor von Doom? Fuckin' lame. Jessica Alba as Sue Storm? Fuckin' lame. Chris Evans as Johnny "The Human Torch" Storm? Well... sorta more or less okay, I suppose -- a shallow performance for a shallow character. And the writing, too: fuckin' lame. It almost seems like they set out to write a remake of the never-released Roger Corman version, instead of an original take on the source story.
To go into greater detail... well, first, let's dispose of Jessica Alba. I haven't seen her other work, but from this, all I can say is: this ain't an actress, it's a starlet. And with the clothes and hair they put on her, she looks like a washout from America's Next Top Model. But at least her constant display of cleavage helps add that tasty cheese flavor (or to be legally exact, pasteurized processed cheese food product flavor). Julian McMahon as Doom ought to be grandly menacing; he manages to be moderately creepy. He's gotten up in his Dr. Doom costume in the final act, and starts pronouncing how everybody's gonna kneel before him... actually, no he doesn't -- from behind the metal mask comes a voice that belongs on a smarmy lounge-lizard trying to pick you up in a bar. And Gruffudd as Mr. Fantastic? He's got to be the most forgettable nonentity ever to be accorded the respect due a leader of heroes... When someone else tells him in the first act that he's a dork, you agree; then after he fights Dr. Doom and does everything he should to be a real hero, he's still just as big a dork. And not in a good way, either -- if he was a true nerd, he'd be cool, but he doesn't measure up to that, he's merely a dork.
It's embarrassing to compare Gruffudd and McMahon as Richards and Doom to some other famous comic-book-movie antagonists: Patrick Stewart and Ian McKellen as Professor X and Magneto. Stewart and McKellen imbued their roles visibly with strength, resolve, vision, integrity, charisma, and leadership. Gruffudd and McMahon imbue their roles with... well, pretty much nothing. If the gravitas level of Stewart and McKellen is enough to fill up a king-size waterbed, then the level of Gruffudd and McMahon is about enough to lightly dampen the inside of a shot glass.
Dr. Doom's transformation into murderous evil feels completely sourceless and random; it happens just because it's in the script, that's all. As for the transformation of The Four... well, the movie leads you by the hand to explain every little detail of how they came to be just like in the comics. "This is how Reed Richards got gray hair at his temples (not due to age, since otherwise Jessica Alba would be way way too young for him), and this is how they got blue costumes that can stretch and go invisible and not burn, and this is how Ben got the nickname The Thing, and this is how......." Enough, already! I swear, it's twice as bad as Batman Begins. Maybe for the truly dedicated comic book fan, this is like visiting the Stations of the Cross. But from a movie I really hope for something more than just re-reading a comic. Or re-watching a saturday morning cartoon from 1968: The movie's biggest key moment for any of the characters comes when Ben Grimm has to make a choice between regaining his humanity and staying a freak in order to fight evil. And they did it just the way I remember it from an episode of that cartoon show I watched as a kid.
But the most annoyingly bad aspect of the script was the way that everybody hectors Reed Richards for being such a scientist that he can't be passionate and give his heart to someone he loves. They actually have him say to his ex-girlfriend, by way of illustrating his dorkhood, that the best part of their relationship was "our passion... [deceptive pause] for science." Gaaaah! Does anyone out there in movie-audience-land believe there's a single human being who would say such a thing? It's a total crock, but historically, Hollywood loves this trope, that science makes people into unfeeling defectives... In fact, the idea that emotionality -- or even irrationality -- is the precious key to our genuine humanity, or even that emotionlessness equates directly to evil, was a staple of the black&white monster movies of the B movie golden age. As Lyz Kingsley put it in reviewing another film: "In choosing to champion the emotional over the rational, Alien simply follows the lead of more science fiction films than I care to remember."
I might as well mention that the science in this movie is just completely goofy. Enough to contribute considerable tent value. The dialogue contributes quite a bit more... everybody gets their turn to sound like a complete putz.
The movie's final shortcoming is that there's not much super-action. All the real super-fights are crammed into ten or fifteen minutes at the climax. And it sure doesn't make up for lack of quantity with extra quality.
You may be getting the impression I hated this movie. I didn't -- it's not a hateful or contemptible movie, it's just a bad movie. And sometimes, for some of us, bad movies are better than good movies. (Perhaps not very often, in a case like this, but sometimes.) And there are plenty of comic book movies that are far, far worse...
So if you like cheesy bad movies: one thumb up.
FANTASTIC FOUR: RISE OF THE SILVER SURFER (2007)Eek, it's the Silver Surfer! And the surf dude is treated as a bad guy here, at least at first, and in appearance he continues the pervious film's tradition of cheap nineties-looking CGI. Come on, people, lately I've seen better looking CGI characters in saturday morning cartoons!
At least in this version, we won't all know 80% of the story before we even see it...
At first, this movie seems far worse than its predecessor. The idiot dialogue, the horribly written characters, the hopelessly awful acting from Gruffudd and Alba... Then the surfer crashes the Richards' wedding and the action starts, and things improve considerably. Unfortunately, it takes half an hour of film time to get there! That first half hour is torture. God, what awful moviemaking.
To give you an example of the proto-hominid level of filmic sophistication you can experience here, I'll share this: in every Marvel Comics movie, there is a cameo appearance by Stan Lee, the guy who invented all these characters back in the sixties. His face always shows up. But nowhere else does he step forward and announce to somebody "I'm Stan Lee." In this piece of shit, they have him say it twice. Because we're too stupid to get it otherwise. No wait, I don't think it's us who's stupid.
There are so many things that don't work. Like, there's a joke where Mr. Torch tries to sell the others on covering their uniforms with sponsor decals a la Nascar... right after we just got done noticing how every news clip they show is from the same disreputable network. And then they show us the badge on the Fantasticar and confirm that (impossibly) it has a "hemi". And the car company's logo, yep, it was on the uniform.
Jessica Alba is getting to be a very popular and successful leading lady. She's getting all kinds of work in all kinds of movies. And one of these days, I predict, she's going to have a "breakout performance", wherein just once she manages to do something that looks like good acting. And then everyone will say she's come of age as an actress and will be doing more serious roles now. And then? She's going to go right back to sucking in every performance, because even a bad actor can produce one decent movie if some demanding yet patient director micromanages every little thing they do, but no amount of help is ever going to turn Jessica Alba into someone with talent.
And in crap like this, of course, she's at the very bottom of even her tiny range. As is Ioan Gruffudd as her fiancee. He's scarcely any better than she is. Even a dumb jock like Chris Evans (as the Human Torch) wipes the floor with him acting-wise.
It doesn't help that all the parts are abysmally written. Or that even such a basic thing as their makeup is so lamely done that it makes their hair look like cheap wigs, and Jessica's face look like Dr. Doom's mask.
But despite how many awful things there are about this movie, it has several clear advantages over its predecessor:
On the other hand, at least one key plot element is teeth-hurtingly stupid, and I personally had two scenes that were so offensively wrong that I briefly lost my temper instead of being able to laugh at it. A third one was probably just as bad, objectively.
So, this is a godawful piece of dreck, but at least, unlike the first one, the main focus is on larger than life characters doing larger than life deeds, which is the whole point of a superhero story. So on that rudimentary level, it does deliver something.